Graduated in Performing Arts and Acting from the University School of Arts ERAM, Clàudia Ferrer Carreras has been developing an artistic career marked by stage sensitivity, contemporary dramaturgy, and the exploration of new theatrical languages. Born in Ciutadella in 1999, she combines acting, writing, and production with a poetic and critical perspective on contemporary society.
From the beginning of her career, she has taken part in various theatrical projects both as an actress and creator. She has worked under the direction of Juan Pablo Miranda in Rojo Azulado Casi Negro (2019) and with Maria Cambil in Anomalía y Excepción (2021), a production by Malsai Produccions. In parallel, she has developed her directing and dramaturgy work with pieces such as Un, ningú i cent mil (2022), an adaptation of Pirandello’s work, and Vol i Dol (until the next tramuntana) (2022).
Her involvement in contemporary performing arts has led her to work as assistant director to Xicu Masó in Síndrome de Gel (2022) and to Míriam Alamany in the staged reading Oxygen (2023). She has also collaborated on dramaturgy projects such as Deseo de ser Punk (2023) and has taken part in Una Mena de Master Class (o Crash) by Xicu Masó, contributing to both dramaturgy and production.
In 2021, she produced her first single and music video, Gotas, directed by Iris Medina, expanding her creative universe into audiovisual and musical languages.
Among her most notable projects is Calla, Judit, calla, written and directed by Maria Cambil, where Clàudia plays a young factory worker caught between reality and spirituality, in constant dialogue with the soundscape created by musician and historian Carles Vidal Ramos. The piece reflects on spiritualism, social movements, and female empowerment through an intimate and immersive proposal that combines live music, spoken word, and collective memory.
As a creator, Clàudia develops a stage vision strongly connected to audience proximity, musicality, and emotional storytelling. She has also taken part in collective creation processes such as Fartura, within the Obrador de Filosofia de la Beckett, and has premiered her own texts such as A ca nostra no hi ha rius, presented at Teatre de Buxaca.
She is currently part of Malsai Produccions, an emerging company dedicated to contemporary creation and stage experimentation, from which she continues to develop projects that connect theatre, music, critical thinking, and new dramaturgies.
