Graduated in Performing Arts at ERAM University School- UdG, Aram Pou Clavell is a stage creator, circus artist, and live arts researcher focused on the relationship between body, territory, and public space. Born and raised in Girona, his artistic path has been deeply shaped by popular culture, community-based practices, and collective initiatives, taking part from a young age in groups such as Diables de l’Onyar, Fal·lera Gironina, and the scout movement.
His first artistic training focused on circus arts at Carampa Circus School in Madrid between 2012 and 2015. He later continued his studies in Performing Arts at ERAM, further expanding his training in dance, movement, and contemporary creation with artists and companies such as Mal Pelo, Sol Picó, Lali Ayguadé, Rakesh Sukesh, Yael Karavan, and Ex Nihilo. More recently, he completed the FAI-AR international master’s program in public space arts in Marseille.
His artistic research revolves around circus in natural environments, the relationship with landscape, and collective creation connected to territory. This interest takes shape in projects such as Xai específic #1: El Bosc, co-produced with the Sismògraf festival, and BosCos – Les Gavarres (2025), a stage proposal combining circus, movement, and research on tree communities through an immersive experience in the forest.
He also develops hybrid projects between art and ecology such as Mans a la branca i peus al riu, created together with Associació Brisa and La Sorellona, where circus engages in dialogue with environmental education and pedagogical practices in natural spaces.
Among his stage projects is L’últim Sífir, premiered within the Cicle Primerencs at Sala La Planeta and developed together with students from the Performing Arts and Acting degree. The piece creates a dreamlike desert universe where circus, dance, theatre, and magic coexist in a visual journey about disappearance, time, and survival.
Alongside his creative work, he has maintained a strong connection to grassroots cultural production and activation, with a particular interest in community-building, cultural transmission, and cultural sovereignty linked to shared spaces and the artistic use of public space.
His artistic practice moves between circus, movement, stage research, and territory, exploring new ways of inhabiting landscapes and generating collective experiences through live arts.
