Alfredo Sanzol

Alfredo Sanzol Sanz

He imparts the course of Theatrical Dramaturgy together with Josep Maria Miró and Pau Miró.

Alfredo Sanzol is author and director. Among his most outstanding productions are: The Magic Calm (2014 National Dramatic Center and Tanttaka), Waiting for Godot (2013 National Dramatic Center), Adventure! (2012 T of Theatre and Free Theatre), The importance of being called Ernesto (2012 Teatro Gayarre), In the Moon (2011 Theatre of the Abbey and Free Theatre, Max Prize for Best Spectacle 2013 and Ceres Prize of the Festival of Mérida), Great Days (2010 the zone and Dramatic Center National Max Best Author Award), Delicate (2009 T of Theatre and Grec Festival), Laughter and Destruction (2007 Productions of the Callao), Yes, but I am not (2008 National Dramatic Center), The Head of the Baptist (2009 National Dramatic Center), Like the Greeks (1999 RESAD And Productions of Callao, Award for Best Show Revelation of the Awards Max 2000)

He has taught courses and workshops in The House of America (Madrid), The House Lit (Madrid), The National Theatre of Bogotá, Matadero-Madrid, The Sala Beckett (Barcelona), The Thermal (Málaga), The School of Theatre Navarra (Iruña), the General Society of Authors (Madrid), the Olite Classical Theatre Festival and the National Dramatic Center (Madrid)

Alfredo Sanzol

Alfredo Sanzol Sanz

He imparts the course of Theatrical Dramaturgy together with Josep Maria Miró and Pau Miró.

Alfredo Sanzol is author and director. Among his most outstanding productions are: The Magic Calm (2014 National Dramatic Center and Tanttaka), Waiting for Godot (2013 National Dramatic Center), Adventure! (2012 T of Theatre and Free Theatre), The importance of being called Ernesto (2012 Teatro Gayarre), In the Moon (2011 Theatre of the Abbey and Free Theatre, Max Prize for Best Spectacle 2013 and Ceres Prize of the Festival of Mérida), Great Days (2010 the zone and Dramatic Center National Max Best Author Award), Delicate (2009 T of Theatre and Grec Festival), Laughter and Destruction (2007 Productions of the Callao), Yes, but I am not (2008 National Dramatic Center), The Head of the Baptist (2009 National Dramatic Center), Like the Greeks (1999 RESAD And Productions of Callao, Award for Best Show Revelation of the Awards Max 2000)

He has taught courses and workshops in The House of America (Madrid), The House Lit (Madrid), The National Theatre of Bogotá, Matadero-Madrid, The Sala Beckett (Barcelona), The Thermal (Málaga), The School of Theatre Navarra (Iruña), the General Society of Authors (Madrid), the Olite Classical Theatre Festival and the National Dramatic Center (Madrid)

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