- Degree in Audiovisuals Comunication and Multimedia
- Degree in Performing Arts
- Grau en Comunicació Audiovisual i Multimèdia
- Actors direction (Degree in Audiovisuals Comunication and Multimedia)
- Creation Scope III (Degree in Performing Arts)
- Stage Creative Project III: Musical theater (Degree in Performing Arts)
- Actors direction (Grau en Comunicació Audiovisual i Multimèdia)
- Direction of actors (Degree in Performing Arts)
- Image Theory and Analysis (Degree in Audiovisuals Comunication and Multimedia)
- Image Theory and Analysis (Grau en Comunicació Audiovisual i Multimèdia)
Actress, creator, and PhD in Film. She holds a Degree in Acting from the Institut del Teatre in Barcelona, pursued studies at the Conservatoire of the 5th Arrondissement in Paris, and earned a PhD in Film from Pompeu Fabra University. Her practice combines performance, film, and research, developing projects at the intersection of stage, dance, and visual arts, often infused with humor and an interdisciplinary approach. She is a member of the performing arts company Los Detectives, whose works —
As a performer, she has collaborated with artists and companies such as Sociedad Doctor Alonso and Juan Domínguez, and has taken part in numerous stage works and films, including Songs from the bitch witch women (Dir. Mariona Naudin, Teatros del Canal 2025, TNT Festival, Fundació Brossa 2024), Wunder by Enis Maci (Dir. Juan Miranda, Schauspielhaus Vienna 2025, Sala Beckett 2024), Ejercicios para ver a Dios (Dir. Miguel Ángel Blanca, D’A Film Festival Barcelona 2025), El espíritu de la araña (Dir. Antonia Rossi & Roberto Contador, FID Marseille 2024), Contrakant (Dir. Cia Doctor Alonso, Mercat de les Flors, BAD Bilbao), Ardara by Raimon Fransoy & Xavier Puig (In-Edit Film Festival 2019), Los Campos magnéticos by Lluís de Sola (Barcelona Author Film Festival 2018), Fiesta de bailes para salvar el mundo (Dir. Miguel Ángel Blanca, Vic Live Music Festival, Atlàntida Film Fest), Turba (Dir. Mos Maiorum, Teatre Lliure, Temporada Alta Festival), Sapucay (Dir. Juan Miranda, Festival Grec, Temporada Alta, FIDCU Uruguay, Katharsis Festival, Teatre Lliure 2021), among others.
She is currently developing the company’s fourth stage project, Les Chevaliers, Chapter 2 (TNT Festival, ZIP Festival at TNC, La Mutant), and a solo project titled La Vía Láctea (La Caldera, Citemor Festival, Los In La Poderosa). She has recently premiered Ejercicios para ver a Dios, a film directed by Miguel Ángel Blanca (Magaluf Ghost Town) and produced by Boogaloo Films, as well as El espíritu de la araña by Antonia Rossi and Roberto Contador, which premiered at FID Marseille 2024.
PhD in Audiovisual Communication from Pompeu Fabra University, with the first approved Applied Research thesis in Catalonia. Awarded Cum Laude distinction by unanimous decision of the jury.
Master’s Degree in Contemporary Film and Audiovisual Studies at Pompeu Fabra University, Barcelona.
Bachelor’s Degree in Dramatic Art from the Institut del Teatre, Barcelona.
Bachelor’s Degree in Film from the Sorbonne, Paris 1-Panthéon-Sorbonne.
Degree in Dramatic Art from the Conservatoire of the 5th Arrondissement in Paris.
Her research interests include, from theory and practice, the relationship between cinema, stage and body. On the theoretical field, she studies the theatricality in certain contemporary cinematographies, while, in the field of artistic practice, she is interested in translating certain forms of contemporary cinema into scenic forms that contain the body and its power of embodiment as a central element.
She has been a member of the scenic research projects Ocupaciones, La Porta 2012 and Mortal de Necesidad with Oscar Dasí, Sergi Faustino and Itxaso Corral, 2013-2014. He has been resident artist at El Graner and La Caldera for several consecutive years between 2014-2020.
She has participated in the International Meeting of young creators and stage critics organized by the Festival TransAmériques de Montreal, Canada, FTA, in the International Meeting of emerging stage directors, Director's Mediterranean Lab, Teatre Lliure 2020, and in several seminars such as Play and Stage organized by the Institut del Teatre. He has published articles for the CCCB and Comparative Cinema magazine among others.
- María García Vera 2025 Traslación de códigos en las artes escénicas: interacciones entre el cuerpo y la imagen cinematográfica en la compañía Los Detectives Institut del Teatre Revista Estudis Escènics (p.(en procés de publicació))
- María García Vera, Piel de Lava 2023 El grupo es un compromiso, una militancia, la base de todos los vínculos (una conversación con Piel de Lava) (Pausa) Quadern de Teatre Contemporani (Pausa) Quadern de Teatre Contemporani (p.https://www.revistapausa.cat/grupo-compromiso-piel-de-lava/)
- María García Vera 2020 El cuerpo de síntesis. El doble herético CCCB LAB. Investigación en innovación en cultura. CCCB LAB. Investigación en innovación en cultura. (p.https://lab.cccb.org/es/miradas-laterales-al-videojuego/)
- María García Vera 2018 Reseña del libro de entrevistas a Robert Kramer, Punto de partida. http://www.ocec.eu/cinemacomparativecinema/index.php/es/ Comparative cinema UPF (p.http://www.ocec.eu/cinemacomparativecinema/index.php/es/) http://www.ocec.eu/cinemacomparativecinema/index.php/es/ Article Revista
