Oleguer is defined as a previewing person. It says that preproduction is the phase in which many possibilities and paths must be determined that will take a project. The time needed to prepare and prevent such things as Iran should be spent, but have sufficient flexibility to adapt and improvise if the situation requires it.
Working was what helped him discover what he liked. He says his field is very demanding at the level of time and level of involvement. When you devote many hours to one thing, it is easy to find out where you prefer to invest time. Besides his studies of the ERAM, he studied a postgraduate course (Summer Workshop) of the UPF in video game design.
When he finished in the ERAM was the beginning of the economic crisis, it was not a good time to find work and with some companions, they built a company named Quarantados, an audiovisual studio specialized in different branches of the sector, emphasizing the design and Web programming, graphic design and animation, visual and musical postproduction for all types of projects.
From here he has made projects with the television of Catalunya (channel Super 3 and 3XL) and has collaborated with Aleix Salo (the saga of Españistán and the documentary ‘Hijos de las Nubes‘ with a Goya for Best documentary 2013), with Miquel Casals (Vostok, ‘El viajero‘) and Eric Motjer (‘Minut De Glòria‘, ‘Kursaal la Força de la gent‘). In these last projects is where he won the awards for Best VFX in the Festival Julius (with Balise) and an award for Best VFX with the short film Vostok.
He is currently working on a project that has long begun, Bravomanager, which has grown so much to acquire its own entity, and that is what occupies much of its time. But they also continue to collaborate with other audiovisual projects. Especially in animation and visual postproduction.
