Albert Elduque

Albert Elduque Busquets

Albert Elduque holds a Degree in Audiovisual Communication (2008), Master's in Contemporary Film and Audiovisual Studies (2009) and Doctor of Social Communication (2014) at Pompeu Fabra University. His doctoral thesis was devoted to the concepts of hunger, consumption and vomiting in European and Brazilian modern cinema. From 2016 to 2019 he was a postdoctoral researcher at the University of Reading (UK) in the "Towards an Intermediate History of Brazilian Cinema: Exploring Intermediality as a Historiographic Method" project, in which he studied the relationships between popular music and cinema at Brazil, especially in musical documentaries. Over the years, he has carried out research stays at the University of São Paulo, the National University of Colombia, the Federal University of Fluminense and the Federal University of São Carlos.

His research focuses on political cinema in Europe and Brazil and in the musical documentary, from the perspective of studying the staging and the relationships between cinema and other arts. He has published texts about filmmakers such as Pier Paolo Pasolini, Glauber Rocha, Joaquim Pedro de Andrade, Werner Herzog, Rainer Werner Fassbinder, John Cassavetes and Joge Silva and Marta Rodríguez. From 2010 to 2015 he co-founded the online magazine for Contrapicado, and since 2016 he is co-editor of the academic magazine Comparative Cinema, edited by the Pompeu Fabra University.

Albert Elduque

Albert Elduque Busquets

Albert Elduque holds a Degree in Audiovisual Communication (2008), Master's in Contemporary Film and Audiovisual Studies (2009) and Doctor of Social Communication (2014) at Pompeu Fabra University. His doctoral thesis was devoted to the concepts of hunger, consumption and vomiting in European and Brazilian modern cinema. From 2016 to 2019 he was a postdoctoral researcher at the University of Reading (UK) in the "Towards an Intermediate History of Brazilian Cinema: Exploring Intermediality as a Historiographic Method" project, in which he studied the relationships between popular music and cinema at Brazil, especially in musical documentaries. Over the years, he has carried out research stays at the University of São Paulo, the National University of Colombia, the Federal University of Fluminense and the Federal University of São Carlos.

His research focuses on political cinema in Europe and Brazil and in the musical documentary, from the perspective of studying the staging and the relationships between cinema and other arts. He has published texts about filmmakers such as Pier Paolo Pasolini, Glauber Rocha, Joaquim Pedro de Andrade, Werner Herzog, Rainer Werner Fassbinder, John Cassavetes and Joge Silva and Marta Rodríguez. From 2010 to 2015 he co-founded the online magazine for Contrapicado, and since 2016 he is co-editor of the academic magazine Comparative Cinema, edited by the Pompeu Fabra University.

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