Culture and thought

Carolina Rúa holds a Degree in Humanities from Pompeu Fabra University. In 2004 she holds the Master in History at the University Institute of History Jaume Vicens Vives and in 2010 reads his doctoral thesis qualified with the honors. As a work experience she has worked in the Democratic Memorial of Catalonia and as a teacher, she teaches at the ERAM University School (centre attached to the University of Girona), specifically to the Degree of Audiovisual Communication and Multimedia, and in the Pompeu Fabra University of Barcelona in the studies of humanities among others. As a researcher and as prominent publications, it is worth mentioning the book dedicated to the Fondo Albert Pérez y Baró, the article La xarxa mercantil catalana. Comprar i vendre al Madrid del XVIII: una qüestió de confiança for the editorial Asuntos or the various entries for the work of El franquismo en Cataluña (1939 - 1945) of Edicions 62.  

PhD in Media Studies at the University of Valencia (2010), he has delivered courses on Spanish and European cinema, on literary and film analysis at the University of Geneva (2004-2014). As a researcher, he has collaborated in projects on narrative production and comprehension at the University Pompeu Fabra (2016-2019) and Durham University (2016-2017). He has obtained the tenure-eligible lecturer accreditation from the Catalan University Quality Assurance Agency (AQU Catalunya). His main publications are: - (2019, in press). “Une tragédie à dominante musicale: Œdipus Rex de Cocteau- Stravinsky”, Paris, Hermann.- (2018). “Persians on French Television: An Opera-Oratorio Echoing the Algerian War”. In Rebecca F. Kennedy (coord.). Brill's Companion to the Reception of Aeschylus (ISBN13: 9789004249325).- (2008). Tristana, by Benito Pérez Galdós. Critical edition with Isabel Gonzálvez (ISBN: 978-84-376-2495-2), Madrid, Cátedra.

Carolina Rúa holds a Degree in Humanities from Pompeu Fabra University. In 2004 she holds the Master in History at the University Institute of History Jaume Vicens Vives and in 2010 reads his doctoral thesis qualified with the honors. As a work experience she has worked in the Democratic Memorial of Catalonia and as a teacher, she teaches at the ERAM University School (centre attached to the University of Girona), specifically to the Degree of Audiovisual Communication and Multimedia, and in the Pompeu Fabra University of Barcelona in the studies of humanities among others. As a researcher and as prominent publications, it is worth mentioning the book dedicated to the Fondo Albert Pérez y Baró, the article La xarxa mercantil catalana. Comprar i vendre al Madrid del XVIII: una qüestió de confiança for the editorial Asuntos or the various entries for the work of El franquismo en Cataluña (1939 - 1945) of Edicions 62.  

PhD in Media Studies at the University of Valencia (2010), he has delivered courses on Spanish and European cinema, on literary and film analysis at the University of Geneva (2004-2014). As a researcher, he has collaborated in projects on narrative production and comprehension at the University Pompeu Fabra (2016-2019) and Durham University (2016-2017). He has obtained the tenure-eligible lecturer accreditation from the Catalan University Quality Assurance Agency (AQU Catalunya). His main publications are: - (2019, in press). “Une tragédie à dominante musicale: Œdipus Rex de Cocteau- Stravinsky”, Paris, Hermann.- (2018). “Persians on French Television: An Opera-Oratorio Echoing the Algerian War”. In Rebecca F. Kennedy (coord.). Brill's Companion to the Reception of Aeschylus (ISBN13: 9789004249325).- (2008). Tristana, by Benito Pérez Galdós. Critical edition with Isabel Gonzálvez (ISBN: 978-84-376-2495-2), Madrid, Cátedra.